DIPLOMACY

Cyril Gély is a scripwriter, novelist and playwright.

His plays include : SIGNE´ DUMAS (7 nomination at the Molière Awards including Best play and Grand Prix de l’Académie Française), and DIPLOMATIE.

As a screenwriter, he wrote the adaptation of DIPLOMATIE and MONSIEUR CHOCOLAT (with Omar Sy).

DIPLOMATIE has been created in Paris starring Niels Arestrup and André Dussollier at Théâtre de la Madeleine in 2011. The play has been nominated for a Globe de Cristal (award given by the French press) and both actors have also been nominated for the Molière Awards for Best actor in 2012.

It has been adapted for the screen, directed by Volker Schlöndorff starring the same both actors who created the stage version.

DIPLOMATIE, the play has also been, or will be, produced in Germany, Denmark, Italy, Hungary as well as this Australian production.

Awards: Cyril Gély received the Best Screenplay at the Shanghai International Film Festival and the Cesar Award 2015 for Best Adaptation.

Julie Rose is an award-winning literary translator whose translations from the French include Racine’s PHEDRA and Victor Hugo’s LES MISÉRABLES. Recent translations for theatre include Jean Genet’s THE MAIDS and Georges Feydeau’s A FLEA IN HER EAR, both adapted and performed by the STC.

She has translated fiction from Emile Zola and Alexandre Dumas, père to André Schwarz-Bart and Catherine Rey, as well as literary non-fiction including many works by philosopher-urbanist Paul Virilio, and writers and thinkers Jacques Rancière, Hubert Damisch, Bruno Latour, André Gorz and Chantal Thomas.

Her latest translation is Philippe Pacquet, SIMON LEYS. NAVIGATOR BETWEEN WORLDS. She was made a Chevalier de l’Ordre des arts et des lettres in 2016.

John Bell is the founder of Bell Shakespeare and one of Australia’s most acclaimed theatre personalities. In a career of acting and directing, John has been instrumental in shaping the Australian theatre industry as we know it.

After graduating from Sydney University in 1962 John worked for the Old Tote Theatre Company, all of Australia’s state theatre companies and was an Associate Artist of the Royal Shakespeare Company in the United Kingdom. As co-founder of Sydney’s Nimrod Theatre Company, John presented many productions of landmark Australian plays including David Williamson’s TRAVELLING NORTH, THE CLUB and THE REMOVALISTS. He also initiated an Australian Shakespeare style with Nimrod productions such as MUCH ADO ABOUT NOTHING and MACBETH.

In 1990 John founded The Bell Shakespeare Company where his productions have included THE WINTER’S TALE, MUCH ADO ABOUT NOTHING, HAMLET, ROMEO AND JULIET, THE TAMING OF THE SHREW, RICHARD 3, PERICLES, HENRY 4, HENRY 5, JULIUS CAESAR, ANTHONY AND CLEOPATRA, THE COMED OF ERRORS, WARS OF THE ROSES, MEASURE FOR MEASURE, MACBETH and AS YOU LIKE IT, as well as John Webster’s THE DUCHESS OF MALFI, Goldoni’s THE SERVANT OF TWO MASTERS, Gogol’s THE GOVERNMENT INSPECTOR and Ben Jonson’s THE ALCHEMIST. His Shakespeare roles include Hamlet, Shylock, Henry V, Richard III, Macbeth, Malvolio, Berowne, Petruchio, Leontes, Coriolanus, Prospero, King Lear, Titus Andronicus and Falstaff. He played the title role in co-productions with Queensland Theatre Company including: RICHARD 3, Heiner Müller’s ANATOMY TITUS FALL OF ROME: A SHAKESPEARE COMMENTARY and performed the role of Mephistopheles, in FAUSTUS. John directed TOSCA and CARMEN for Opera Australia, THE RAKE’S PROGRESS for the Victorian Opera and has also directed a production of MADAME BUTTERFLY for an Oz Opera national tour. John performed the role of the Professor in Sydney Theatre Company’s production of UNCLE VANYA, presented in association with Bell Shakespeare which also toured to Washington and New York and is playing the role of Andre in THE FATHER for STC/MTC in 2017.

John Bell is an Officer of the Order of Australia and the Order of the British Empire. He has an Honorary Doctorate of Letters from the Universities of Sydney, New South Wales and Newcastle. In 1997 the National Trust of Australia named him as one of Australia’s Living Treasures. In 2003 the Australia Business Arts Foundation awarded John the Dame Elisabeth Murdoch Cultural Leadership Award. His many awards as an actor and director include two Helpmann Awards for Best Actor (Richard 3, 2002 & Jaques in As you Like It, 2015), a Producers and Directors Guild Award for Lifetime Achievement and the JC Williamson Award (2009) for extraordinary contribution to Australia’s live entertainment industry and the 2010 Sydney Theatre Award for Lifetime Achievement in recognition of his extraordinary career as an actor, director and producer.

Anna Volska has worked as an actress teacher and director. She graduated from NIDA in the sixties and was in the inaugural season of the Old Tote Theatre.

She then went to the UK and joined The Royal Shakespeare Company. Her two daughters were born in Stratford on Avon.

She returned to Australia in 1970 and was a founding member of the Nimrod Theatre which started at The Stables and then moved to Surry Hills where it morphed into The Belvoir. There she played in Chekov, Shakespeare and new Australian work.

In 1990 she was a founder member of the Bell Shakespeare Company playing Gertrude in HAMLET, Beatrice in MUCH ADO, the Nurse in ROMEO AND JULIET and Lady Macbeth.

She has directed at Flinders, Theatre Nepean, QUT, Nimrod and Bell Shakespeare.

She spent 3 months with ALL SAINTS and recently played in ANTIGONE for Sport For Jove, SEVENTEEN for Belvoir and UNHOLY GHOSTS for Griffin.

Ensemble Theatre: MR BAILEY’S MINDER, DIPLOMACY, THE RASPUTIN AFFAIR. Sydney Theatre Company: DO NOT GO GENTLE, SAINT JOAN, ORLANDO, MACBETH, ROSENCRANTZ AND GUILDENSTERN ARE DEAD, FACE TO FACE, WAR OF THE ROSES. Melbourne Theatre Company: STRAIGHT WHITE MEN, OTHER DESERT CITIES. Belvoir: PACKER AND SONS, CLOUDSTREET (National and International Tour). THE WILD DUCK (National and International Tour), SEVENTEEN, HAMLET. State Theatre Company of South Australia: KING LEAR. Queensland Theatre Company: NO MAN’S LAND. Film: THE DEATH AND LIFE OF OTTO BLOOM, THE EYE OF THE STORM, THANK GOD HE MET LIZZIE, CHILDREN OF THE REVOLUTION, MURIEL’S WEDDING. Television: FISK, THE APPLETON LADIES’ POTATO RACE, SIGNIFICANT OTHERS, BUMP, OPERATION BUFFALO, RAKE, A PLACE TO CALL HOME.

Theatre Credits include: For Bell Shakespeare OTHELLO, RICHARD 3; for Sport for Jove  LOVES LABOUR’S LOST, THE IMPORTANCE OF BEING EARNEST, SHAKESPEAREALISM, EDWARD 2, THE MERCHANT OF VENICE, THE CRUCIBLE, AALL’S WELL THAT ENDS WELL, MUCH ADO ABOUT NOTHING, CYRANO DE BERGERAC, HAMLET, THE TEMPEST, TWELFTH NIGHT, THE TAMING OF THE SHREW (Sydney Theatre Award  – Best Actor in an Independent Production 2012), MACBETH, THE LIBERTINE (Sydney Theatre Award  – Best Independent Production 2011), AS YOU LIKE IT, ROMEO & JULIET and A MIDSUMMER’S NIGHT DREAM;  for Whitebox/Griffin Independent UNHOLY GHOSTS; for Version 1.0 THE MAJOR MINOR PARTY; for Monkey Baa Theatre THURSDAY’S CHILD.

TV includes DOCTOR DOCTOR (Nine Network), FIGHTING SEADON (Foxtel/Goalpost), MARY: THE MAKING OF A PRINCESS (Network Ten/Fremantle), WONDERLAND (Network Ten/Fremantle), CLEO – PAPER GIANTS (ABC), THE CUT (ABC), TOUGH NUTS (Foxtel), ALL SAINTS (Channel 7), HOME AND AWAY (Channel 7), WATER RATS (Channel 9); Film includes HACKSAW RIDGE, JOE CINQUE’S CONSOLATION, QUEEN OF THE NIGHT and BMX BANDITSs.

Joseph is a recent graduate of National Institute of Dramatic Art. While at NIDA Joseph performed in productions including THE SPACE BETWEEN THE FUEL AND THE FIRE, SCORCHED, CAPRICORNIA and THE TEMPEST. Most recently, Jospeh played the title role of Doctor Frankenstein in TheatreiNQ’s FRANKENSTEIN, directed by Terri Brabon. He is proud to be making his Ensemble debut in DIPLOMACY.

Michael Scott-Mitchell is regarded as one of the most outstanding designers and educators in Australia. His extensive credits in opera, theatre and special events, include set design of the State Opera of South Australia’s production of Wagner’s RING CYCLE, WORLD YOUTH DAY – STATIONS OF THE CROSS and the Cauldron & Ceremonial Stage for the Sydney 2000 Olympic Games. Recent and upcoming designs include DR ZHIVAGO on Broadway for which he won the 2015 APDG (Australian Production Design Guild) Award, STORM BOY, ARMS AND THE MAN, ARCADIA, SWITZERLAND and STILL POINT TURNING for Sydney Theatre Company; TOSCA, LÉLISIR D’AMORE and CARMEN for Opera Australia; THE MERRY WIDOW for Opera Conference; and FREEZE FRAME for Debbie Allen Dance Academy in LA and at the Kennedy Centre, Washington DC. At NIDA, he was Head of Design (2008-2017), Director Undergraduate Studies (2011-2017) and Deputy Director/CEO (2016-2017). In 2017 he was appointed Adjunct Professor of UNSW.

Nate is an international, multi-award winning Composer and Sound Designer for film, television, stage and advertising.

Nate’s theatre credits include: For STC: THREE SISTERS, CLOUD NINE, A MIDSUMMER NIGHT’S DREAM, ROMEO AND JULIET. For STC / Force Majeure: NEVER DID ME ANY HARM. For Belvoir: MARK COLVIN’S KIDNEY, MORTIDO, SEVENTEEN, THIS HEAVEN. For Bell Shakespeare: A MIDSUMMER NIGHT’S DREAM, THE TEMPEST, ROMEO AND JULIET, MACBETH, THE WINTER’S TALE. For Griffin: THE HAM FUNERAL, MinusOneSister, CARESS/ACHE, THE WITCHES, MUSIC, JUMP FOR JORDAN, RUST AND BONE, THIS YEAR’S ASHES. For Malthouse: SALOME, LORD OF THE FLIES. For Darlinghurst Theatre: SAVAGES, GOOD WORKS, DAYLIGHT SAVING, ALL MY SONS, TORCH SONG TRILOGY, THE GREENING OF GRACE, THE SEAFARER, THE PARIS LETTER. For Rockefeller Productions: THAT GOLDEN GIRLS SHOW! [US], THE VERY HUNGRY CATERPILLAR SHOW [Global]. For Sport For Jove: OF MICE AND MEN. For Street Theatre: ALL MY SONS [UK].

Graduating from the Technical Theatre and Stage Management course at NIDA in 2016, Erin has previously worked in the industry as a dresser on GIRL ASLEEP (Belvoir, 2016); stage manager on LITTLE BORDERS (The 505, 2017), MOTH (ATYP, 2017), and LOVE, ME (The 505, 2018); and assistant stage manager on DIPLOMACY (Ensemble Theatre, 2018) and BLISS (Belvoir, 2018).

Erin feels privileged to have worked with such an incredible team on this production and looks forward to the season.