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A Country Practice addict and self-professed fanatic Melanie Tait, imagines what it was like for the writers to pen the episode that became a defining cultural moment in Australia’s TV history — when Molly Jones takes her final breath.
- Playwright Melanie Tait
- Director Lee Lewis
- Assistant Director Tiffany Wong
- Cast of 5 includes Amy Ingram
Georgie Parker
Julia Robertson - Set & Costume Designer Simone Romaniuk
- Lighting Designer Benjamin Brockman
- Stage Manager Jen Jackson
- Assistant Stage Manager Sherydan Simson
- Costume Supervisor Renata Beslik
- This production is made possible by the Commissioners’ Circle
- 29 Aug 2025 - 11 Oct 2025
- 90mins (no interval)
- Recommended for ages 12+
- Wheelchair Accessible
- Hearing Loop
- Audio Described (selected dates)
- Adult themes, frequent coarse language
Overview
WORLD PREMIERE
It’s 1985. TV prime time. Across Australia, millions of tear-stricken eyes are glued to their television sets in disbelief. A Country Practice’s beloved Molly Jones takes her final breath. Fade to black and she’s gone.
Inside the story room, in a creative flurry powered by coffee, cigarettes and Fantales, the eccentric squad of TV writers have nailed it — they’ve written the perfect death for Australia’s darling. Hearts around the country are broken and forty years later, the pain is only just subsiding.
In this new comedy with Georgie Parker, A Country Practice addict and self-professed fanatic Melanie Tait, imagines what it was like for the writers to pen the episode that became a defining cultural moment in the nation’s TV history. Whether you’re a diehard fan of this iconic TV series or simply a lover of a cracking Australian story, you’ll be rolling in the aisles with laughter at HOW TO PLOT A HIT IN TWO DAYS.
HOW TO PLOT A HIT IN TWO DAYS is a fictional play imagining the machinations of a hypothetical writers’ room. It is not affiliated with the television show A Country Practice.
Calendar
Ticket Prices
For group bookings of 10+, submit the Group Booking Form and we’ll be in contact to confirm your tickets.
Arts professionals (MEAA, AWG members, etc.) check your Ensemble Industry Insider eligibility.
For school groups, please complete our 2025 Education Online Booking Form.
Prices are correct at the time of publication and subject to change without notice.
TICKET TYPE | PREVIEWS | IN SEASON |
---|---|---|
FULL PRICE | $85 | $90 |
SENIOR CARD | $82 | $87 |
PENSIONER | $78 | $83 |
GROUP 10 - 19 | $78 | $83 |
GROUP 20+ | $73 | $78 |
30 OR UNDER | $40 | $43 |
FULL-TIME STUDENT | $40 | $43 |
SCHOOL GROUPS | $25 | $25 |
Reviews
★★★★★ “Pure theatrical rambunctiousness” (THE APPLETON LADIES’ POTATO RACE) ArtsHub
“Tait’s play is well-shaped and gently funny, her characters lovingly drawn and recognisable” (A BROADCAST COUP) The Guardian
Cast & Creatives

Melanie Tait
Melanie Tait is a writer for stage and screen with a proven track record in Australia and the UK.
Her play THE APPLETON LADIES’ POTATO RACE premiered at the Ensemble Theatre in Sydney in March 2019 and toured nationally in 2021. The play has been programmed right around Australia and New Zealand including at the State Theatre Company of South Australia, Queensland Theatre and The Court Theatre in Christchurch. Melanie also adapted the play into a feature film with EQ Media, writing the screenplay for THE APPLETON LADIES’ POTATO RACE. The feature premiered on Paramount+ and Channel 10 in 2023.
Melanie’s play A BROADCAST COUP, opened in January 2023 at Ensemble Theatre as part of Sydney Festival, while THE QUEEN’S NANNY opened in September 2024 at the Ensemble Theatre. Melanie’s latest play HOW TO PLOT A HIT IN TWO DAYS will open at the Ensemble Theatre later in the year. She also has 2 other plays under commission at NIDA and the MTC. Meanwhile she is developing a TV series with BBC Studios Australia and another series with Easy Tiger. Her first play THE VEGEMITE TALES won critical and popular acclaim, playing eight years in London, including two years on the West End. Melanie then trained as a journalist with the Australian Broadcasting Corporation, where she worked for twelve years across radio, podcasting and television.
THE APPLETON LADIES’ POTATO RACE is published by Currency Press and A BROADCAST COUP is published by Playlab.

Lee Lewis
Director
Tiffany Wong
Assistant Director
Georgie Parker
Ensemble Theatre: THE GREAT DIVIDE, RHINESTONE REX AND MISS MONICA, MURDER ON THE WIRELESS, LUNA GALE, BAREFOOT IN THE PARK, RAPTURE BLISTER BURN, RHINESTONE REX AND MISS MONICA, LET THE SUNSHINE, RABBIT HOLE, THEY’RE PLAYING OUR SONG, CHAPTER TWO. Footbridge Theatre and National tour: HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING. NUNSENSE. Marion St Theatre: WAIT UNTIL DARK, HERE COMES SHOWTIME. Queensland Theatre: THREEPENNY OPERA. Sydney Theatre Company: SCENES FROM A SEPARATION, ALL IN THE TIMING. Theatre Royal: CRAZY FOR YOU. Sydney Entertainment Centre and National tour: MAN FROM SNOWY RIVER. FILM: THE 13TH SUMMER, THE STRANGER (short film) SANTA’S APPRENTICE (animation), IRRESISTIBLE, DANGER DOWN UNDER, YOUNG EINSTEIN, THE REPRISAL, THE BOY WHO HAD EVERYTHING, THE 13TH FLOOR.
TV: HOME AND AWAY, PLAY SCHOOL, CITH HOMICIDE, SCORCHED, EMERALD FALLS, STUPID STUPID MAN, STEPFATHER OF THE BRIDE, THE SOCIETY MURDERS, ALL SAINTS, FIRE, OVER THE HILL, ACROPLIS NOW, GP, ALL TOGETHER NOW, A COUNTRY PRACTICE, RAFFERTY’S RULES, BARLOW AND CHAMBERS. Georgie has been nominated for a Logie Award 11 times and won 7, two of them Gold for her television work.

Simone Romaniuk
Set & Costume Designer
Ben Brockman
Lighting Designer
Jen Jackson
Stage Manager: Belvoir Street Theatre: LOSE TO WIN. Carriageworks: PARTY | PROTEST | REMEMBER. Contemporary Asian Australian Performance: DOUBLE DELICIOUS, THE BRIDAL LAMENT, LOST IN SHANGHAI. Griffin Theatre Company: END OF., GOLDEN BLOOD 黄金血液, PONY. Kurinji & Sydney Festival: 宿(STAY). National Theatre of Parramatta: NOTHING. The Ethics Centre: FESTIVAL OF DANGEROUS IDEAS 2022. Assistant Stage Manager: Belvoir St Theatre: AT WHAT COST. Pinchgut Opera: RINALDO. As Company Manager: National Theatre of Parramatta: CHOIR BOY. Training: NATIONAL INSTITUTE OF DRAMATIC ART.

Renata Beslik
Costume SupervisorWATCH THE TRAILER
SPECIAL PERFORMANCES
Audio Described
- Sat 20 Sep 2pm
- Thu 25 Sep 11am
Q&A Sessions
- Fri 5 Sep 7.30pm
- Tue 16 Sep 11am
Free Teen Night
- Wed 8 Oct 6.15pm