Home | Shows | What's On | 2025 Season | THE GLASS MENAGERIE
Inspired by his own turbulent life, Tennessee Williams’ timeless portrait of a shattered family is one of the most iconic dramas of the 20th century.
- Playwright Tennessee Williams
- Director Liesel Badorrek
- Cast Danny Ball
Blazey Best
Bridie McKim
Tom Rodgers - Presented by special arrangement with The University of the South, Sewanee, Tennessee.
- 21 Mar 2025 - 26 Apr 2025
- 2hrs 30mins (including interval)
- Recommended for ages 14+
- Wheelchair Accessible
- Hearing Loop
- Audio Described (selected dates)
- Adult themes, historical language that audiences may find offensive and water-based haze.
Overview
Inspired by his own turbulent life, Tennessee Williams’ timeless portrait of a shattered family is one of the most iconic dramas of the 20th century.
Amanda Wingfield can’t help but dream of the past — a long-gone adolescence of lavish parties and high society suitors. But her present is anything but dazzling. Living in squalor with her two adult children Tom and Laura, the bills are piling up and pressure to secure the Wingfield family’s future is swelling. Will a gentleman caller be the answer to their problems?
With Blazey Best as the indomitable matriarch Amanda Wingfield, director Liesel Badorrek (MASTER CLASS) reignites Tennessee Williams’ beautifully crafted and devastating slice of life. Don’t miss this classic play that catapulted one of the world’s most lauded storytellers into the global spotlight.
Calendar
Ticket Prices
For group bookings of 10+, submit the Group Booking Form and we’ll be in contact to confirm your tickets.
Arts professionals (MEAA, AWG members, etc.) check your Ensemble Industry Insider eligibility.
For school groups, please complete our 2025 Education Online Booking Form.
Prices are correct at the time of publication and subject to change without notice.
| TICKET TYPE | PREVIEWS | IN SEASON |
|---|---|---|
| FULL PRICE | $85 | $90 |
| SENIOR CARD | $82 | $87 |
| PENSIONER | $78 | $83 |
| GROUP 10 - 19 | $78 | $83 |
| GROUP 20+ | $73 | $78 |
| 30 OR UNDER | $40 | $43 |
| FULL-TIME STUDENT | $40 | $43 |
| SCHOOL GROUPS | $25 | $25 |
Reviews
★★★★½ "a compelling piece of theatre for our times." The Sydney Morning Herald
★★★★½ "transcendently directed and features seamless performances that enhance the production’s dramatic tension." ArtsHub
★★★★ "The cast delivers strongly with Best a toe-curlingly vivacious Amanda, cavorting in her debutante gown." Limelight
★★★★ "a sharp new take on Tennessee Williams' timeless portrait" Timeout
★★★★ "Text, gesture, light, and sound work seamlessly in this production, enabling a coherence that is a testament to the quality of Liesel Badorrek’s direction." Australian Book Review
★★★★ "Compelling in its exploration of self-obsession and regret. Another strong production" Musical Theatre AU
★★★★ "THE GLASS MENAGERIE is like a perfectly composed music score. This is the way I, and no doubt others, experience it. With a good conductor and orchestra, as is the case with this Ensemble production, one is in for a good, albeit, sad night." Sydney Arts Guide
★★★★ "Blazey Best is fantastic as Amanda Wingfield. She carries the production on her back, giving a mesmerising performance." State of the Art
★★★★★ "Poignant and deeply moving, The Glass Menagerie beautifully encapsulates the passage of time." Bacchus Theatre
"Badorrek draws incredible performances from all four actors while weaving them into a subtle yet rich blend of set, costume and lighting." North Sydney Sun
"a production not to be missed" Theatre Travels
"Theatre of this outstanding quality makes life worthwhile, no matter what." Canberra Critics Circle
"The Ensemble Theatre has lovingly preserved a true classic and brought it to life again with a solid, unified production." Theatre Thoughts
"With an exceptional cast and clever direction by Liesel Badorrek, this adaptation of The Glass Menagerie dazzles." Sydney Scoop
"Badorrek and her team excel themselves in this THE GLASS MENAGERIE. Not to be missed." Megaphone Oz
"Here with this difficult Tennessee Williams play she [Liesel Badorrek] achieves a complete success: it remains fresh and pithy." Stage Whispers
"This is a beautiful production of a superb play." Theatre Red
"With a fresh and inventive eye, she [Liesel Badorrek] breathes exuberant life into this classic, eliciting richly layered performances full of subtlety and emotional depth from every cast member." Broadway World
"An engrossing new production of the classic play, currently running at Sydney’s Ensemble Theatre, does more than simply revive the famous piece of theatre. It revitalises it for modern audiences." The Conversation
There is a fear at the centre of who they are, that director Liesel Badorrek expresses well in her version of the American classic, with an ensemble that delves deep into the psychologies of these troubled souls." Suzy Goes See
"Bridie McKim is a breathtaking stage presence: intuitive, present, intelligently economical, and riveting to watch." Stage Noise
"Ensemble Theatre's space, known for its ability to draw audiences into the heart of a story, works wonders for this particular piece" Playwave
"Liesel Badorrek’s new production of Tennessee Williams’ debut The Glass Menagerie pushes against the play’s expected structure and text to bring the “memory play” to the stage with a fresh twist." Cultural Binge
Cast & Creatives
Tennessee Williams
Tennessee Williams was born in 1911 in Columbus, Mississippi, where his grandfather was the Episcopal clergyman. When his father, a travelling salesman, moved with his family to St Louis some years later, both he and his sister found it impossible to settle down to city life. He entered college during the Depression and left after a couple of years to take a clerical job in a shoe company. He stayed there for two years, spending the evenings writing. He entered the University of Iowa in 1938 and completed his course, at the same time holding a large number of part-time jobs of great diversity. He received a Rockefeller fellowship in 1940 for his play BATTLE OF ANGELS, and he won the Pulitzer Prize in 1948 for A STREETCAR NAMED DESIRE and in 1955 for CAT ON A HOT TIN ROOF. Other plays include SUMMER AND SMOKE, THE ROSE TATTOO, CAMINO REAL, BABY DOLL, THE GLASS MENAGERIE, ORPHEUS DESCENDING, SUDDENLY LAST SUMMER, THE NIGHT OF THE IGUANA, SWEET BIRD OF YOUTH, and THE TWO-CHARACTER PLAY. Tennessee Williams died in 1983.
UNIVERSITY OF THE SOUTH’S BIOGRAPHY
The University of the South, a national ranked liberal arts college and Episcopal seminary, is the beneficiary of the Tennessee Williams’ estate, including the copyrights to all his works. This gift was made as a memorial to Williams’ grandfather, the Reverend Walter E. Dakin, who studied at the University’s seminary in 1895.
The Walter E. Dakin Memorial Fund is used to support the Sewanee Writers’ Conference, the Sewanee Young Writers’ Conference, and the School of Letters. The Fund also supports scholarships for students who wish to pursue creative writing and fellowships which are granted annually to budding playwrights or authors. Those fellows include Ann Patchett, Claire Messud, Tony Early, and Mark Richard. The Tennessee Williams Center houses the University’s theater department, and a portion of the Fund supports the department and its theatrical productions.
Visit www.sewanee.edu for more information.
Liesel Badorrek
Ensemble Theatre: MASTERCLASS. CDP Theatre Producers: RATBURGER, ARE WE THERE YET, MAGIC BEACH, SPOT, GUESS HOW MUCH I LOVE YOU, THE TREEHOUSE SERIES (26, 52, 78, 91), HORRIBLE HARRIET. Critical Stages: ALPHABETICAL SYDNEY. Loose Canon Arts: TRASH ALCHEMY, DARLINGWOOD TALES, MONKEYSHINES, SCHNECKENUDEL. Opera Australia: CARMEN ON COCKATOO ISLAND, Director/Librettist: CINDERELLA, EL KID, BY THE LIGHT OF THE MOON, Revival Director: ERNANI, MADAMA BUTTERFLY, LA BOHEME. Assistant Director: WEST SIDE STORY, LA BOHEME. Send For Productions/ Sydney Festival: SEND FOR NELLIE. Sydney Art Quartet: THE DARKENING ECLIPTIC. Vivid: Creator: WINDOW DRESSING. Australia/NZ Associate Director: TALL STORIES (UK). Meneer Monster: DE WAANZINNIGE BOOMHUT VAN 13 VERDIEPINGEN (The Netherlands). CDP/Tong: KLOKWERK (China) 2023 Churchill Fellowship Recipient.
Danny Ball
ARA Theatre: THE MAKING OF SASHA FEIN. Bell Shakespeare: PLAY IN A DAY, R&J, MUCH ADO ABOUT NOTHING, THE PLAYERS. Belvoir Street Theatre: HOLDING THE MAN, CONCRETE. Belvoir 25a: DARWINS REPTILLA, THE ITALIANS. Griffin Theatre Company: STUDIO PROJECT. Kings Cross Theatre: MERCURY FUR, THE SERPENTS TOOTH. La Mama: SPEAK ENGLISH OR DIE. Malthouse Theatre: LOADED, TROY. Old Fitz: CLEANSED. Old 505: LOVE ME. Seymour Centre: BLACKROCK. X System International: CHUGGINGTON CHRISTMAS SINGAPORE, PORORO SINGAPORE. Television: TOTALLY COMPLETELY FINE, A BEGINNER’S GUIDE TO GRIEF, HOME & AWAY, KICK. Film: PRESENT (short). Awards: CGA 2024 Rising Star Award, Green Room Award 2023 – Outstanding Performer for LOADED. Training: National Institute of Dramatic Art.
Blazey Best
Ensemble Theatre: THE IMAGINARY INVALID. Bell Shakespeare: ROMEO AND JULIET, MUCH ADO ABOUT NOTHING, THE SERVANT OF TWO MASTERS, THE WAR OF THE ROSES, THE COMEDY OF ERRORS. Belvoir: MY BRILLIANT CAREER, IVANOV, NORA, MISS JULIE, WILD DUCK, MEDEA. Griffin Theatre: SEX MAGICK, DOGGED, STRANGE ATTRACTOR. Hayes Theatre: A LITTLE NIGHT MUSIC. Luckiest Production: GYPSY, MIRACLE CITY, ONLY HEAVEN KNOWS. Lunar Hare Productions: B-GIRL. LPD Productions: A MODEL MURDER. Michael Copel: FAWLTY TOWERS. Red Line Productions: AMADEUS. Showtune Productions: HEDWIG AND THE ANGRY INCH. Sydney Theatre Company: SUMMER RAIN, ARACADIA, TRAVESTIES, TROUPERS. Film: RUBEN GUTHRIE, TEN EMPTY, WEST, STEALTH. Television: HEARTBREAK HIGH S3, GOOD COP BAD COP, PLUM, SIGNIFICANT OTHERS, PIECES OF HER, BETWEEN TWO WORLDS, A PLACE TO CALL HOME, JANET KING, RAKE. Awards: Sydney Theatre Awards: IVANOV, MIRACLE CITY, MEDEA.
Bridie McKim
THE GLASS MENAGERIE is Bridie’s Ensemble Theatre debut. Belvoir 25A: TUESDAY. Black Swan State Theatre Company: THE CHERRY ORCHARD. National Institute of Dramatic Art: STAY HAPPY KEEP SMILING, THE COUNTRY WIFE, SALEM. Queensland Theatre (Youth Ensemble): SAISON DE L’AMOUR, FACE IT, NOT OUR STORY, THIS HOLLOW CROWN. Queensland University of Technology: LOVE AND INFORMATION. Film: CHRISTMAS RANSOM. Television: IRREVERENT, JOE VS. CAROLE, DIVE CLUB, BUMP, THE HEIGHTS. Training: NIDA Bachelor of Fine Arts (Acting), Queensland Theatre Youth Ensemble.
Tom Rodgers
Ensemble Theatre: THE GLASS MENAGERIE is Tom’s professional theatre debut. New Theatre: SIGNIFICANT OTHER. Seymour Centre: THE INHERITANCE, THE PASS. Film: BODY BLOW. Television: JOE VS. CAROLE. Training: National Institute of Dramatic Art.
Grace Deacon
Belvoir Street Theatre: NEVER CLOSER, WELL BEHAVED WOMEN, TIDDAS. 25A Belvoir: HOT TUB, THE ITALIANS, NEVER CLOSER, WHO’S AFRAID, AN OX STOOD ON MY TONGUE, DESTROY, SHE SAID. Arts Centre Melbourne: LA CAGE AUX FOLLES. Melbourne Comedy Festival: NOT TODAY, SENSER. Kings Cross Theatre: AUSTRALIAN OPEN. Theatreworks: PEAR SHAPED, SENSER, PAPER STARS. Film: FROM ALL SIDES, THE HORRIFIC MURDER OF GRIGORI RASPUTIN. Television: DANCING WITH THE STARS (BBC). GLADIATORS, THE MASKED SINGER (Warner Bros). Awards: William Fletcher Foundation Scholarship, Peter Ivany Scholarship for Excellence in Design, Sydney Theatre Awards (2023, 2024). Training: National Institute of Dramatic Art (Bachelor of Design for Performance, Masters of Design).
Verity Hampson
Ensemble Theatre: THE HEARTBREAK CHOIR, MURDER AT HAMLINGTON HALL, THE ONE, BABY DOLL, FULLY COMMITTED, THE ANZAC PROJECT. Bell Shakespeare: TWELFTH NIGHT, TITUS ANDRONICUS, JULIUS CAESAR, A MIDSUMMER NIGHT’S DREAM. Belvoir: JESUS WANTS ME FOR A SUNBEAM, WINYANBOGA YURRINGA, ENEMY OF THE PEOPLE, THE DROVER’S WIFE, IVANOV. Griffin: BLAQUE SHOWGIRLS, JAILBABY, PONY, GHOSTING THE PARTY, ORANGE THROWER, DOGGED, SUPERHEROES, THE BLEEDING TREE. Hayes Theatre, ZOMBIE! THE MUSICAL, LIZZIE. La Boite: ONE THE BEAR, BLACKROCK, LA VOIX HUMANE. Malthouse: WAKE IN FRIGHT, BLACKIE BLACKIE BROWN, FIERY MAZE (with Sydney Festival). Opera Australia: IL TRITTICO, IDOMENEO (with Victorian Opera), THE MAGIC FLUTE. Sydney Theatre Company: SWEAT, FENCES, CITY OF GOLD (with BSSTC), A RAISIN IN THE SUN, HOME I’M DARLING, 7 STAGES OF GRIEVING, BLACKIE BLACKIE BROWN. Queensland Theatre: DEATH OF A SALESMAN. Awards: Three Sydney Theatre Awards. Two Green Room Awards. Australian Production Design Guild Award. The Mike Walsh Fellowship.
Maria Alfonsine
Ensemble Theatre: MASTERCLASS. Darlinghurst Theatre Company: THE HYPOCHONDRIAC. Hurrah Hurrah Theatre Company: TRADE. Merrigong Theatre: SEND FOR NELLIE. Metanoia Theatre: BABELISM: LOVE AND MEMORY. Metropolis Touring: BEATLES ORCHESTRATED. Raghav Handa: MENS REA: THE SHIFTER’S INTENT. Riverside Theatres: TAKE TWO: A COMEDY OF ERRORS. Sydney Opera House: ALPHABETICAL SYDNEY: ALL ABOARD!. Sydney Theatre Company: THE LIFESPAN OF A FACT. Film: AKONI, SWINGING SAFARI. TV: SWIFT STREET, A CERTAIN MOTHER, WAKEFIELD, SNACKMASTERS, CHIKAS, BLACK COMEDY, SISTERS, PULSE. Advertisements: AMAZON, AMERICAN EXPRESS, PLENTI, SPECSAVERS, STOCKLAND. Training: Ingesunds Music School (Sweden), Wendelsbergs Theatre School (Sweden), The Australian Institute Of Music, Sydney Conservatorium Of Music.
Damian de Boos-Smith
Ensemble Theatre: MASTERCLASS. Darlinghurst Theatre Company: THE HYPOCHONDRIAC. Metropolis Touring: BOWIE / QUEEN /FLEETWOOD MAC ORCHESTRATED. Riverside Theatres: TAKE TWO: A COMEDY OF ERRORS. Sydney Theatre Company: THE LIFESPAN OF A FACT. Touring Musicals: THE LION KING, CHICAGO, GREASE THE ARENA SPECTACULAR, WE WILL ROCK YOU. Film: HAPPY FEET 2, LEGO BATMAN, PETER RABBIT, AKONI, SWINGING SAFARI. TV: SWIFT STREET, A CERTAIN MOTHER, WAKEFIELD, SNACKMASTERS, THE BLOCK, THE FORCE, MY KITCHEN RULES, LEGO MASTERS, BLACK COMEDY. Advertisements: AMAZON, NRL, AFL, TELSTRA, QANTAS, FEDEX, WRIGLEYS, MCDONALDS, PEPSI, LG, TOYOTA, FORD, WESTFIELD, ING, PLENTI, SPECSAVERS. Training: Sydney Conservatorium Of Music.
Linda Nicholls-Gidley
Theatre: Ensemble Theatre: THE HEARTBREAK CHOIR, COLDER THAN HERE, MASTERCLASS, ULSTER AMERICAN, SWITZERLAND, ALONE IT STANDS, THE MEMORY OF WATER, SUMMER OF HAROLD, BENEFACTORS, CLYDE’S, SUDDENLY LAST SUMMER, BOXING DAY BBQ, THE CARETAKER, PHOTOGRAPH 51, BLACK COCKATOO, BABY DOLL. Belvoir Street Theatre: COUNTING AND CRACKING. Crossroads Live: CINDERELLA, 9 TO 5. Darlinghurst Theatre: LET THE RIGHT ONE IN, ONCE, A CHORUS LINE. DreamWorks: HOW TO TRAIN YOUR DRAGON. Gordon Frost: THE ROCKY HORROR SHOW, SHREK, SATURDAY NIGHT FEVER, THE BODYGUARD, DIRTY DANCING. Griffin Theatre: PONY. GWB Entertainment HEDWIG AND THE ANGRY INCH, THE LORD OF THE RINGS, JAGGED LITTLE PILL, GIRL FROM THE NORTH COUNTRY, AN AMERICAN IN PARIS. Hayes Theatre: RIDE THE CYCLONE, MURDER FOR TWO. Opera Australia: GUYS AND DOLLS, MISS SAIGON National Theatre of Paramatta: YOGA PLAY, FADE. Paul Dainty: TINA. Television: SHANTARAM, WELLMANIA, YEAR OF, MARY: THE MAKING OF A PRINCESS. Film: JUNGLE.
Chloë Dallimore
Ensemble Theatre: UNCLE VANYA, COLDER THAN HERE, ALONE IT STANDS. Belvoir Street Theatre: THE MASTER & MARGARITA, AT WHAT COST?, THE CHERRY ORCHARD, MISS PEONY Crossroads Live: ROCKY HORROR SHOW, SIX, CHICAGO, JESUS CHRIST SUPERSTAR. Hayes Theatre Company: JEKYLL AND HYDE, RIDE THE CYCLONE, ZOMBIE! Opera Australia: MISS SAIGON, SS25, SW24 Sydney Theatre Company: DEAR EVAN HANSEN, A FOOL IN LOVE, THE SEAGULL, THE TEMPEST, THE IMPORTANCE OF BEING EARNEST. Film: THE KNOT, THREE THOUSAND YEARS OF LONGING, TRANSFUSION Television: HEARTBREAK HIGH, BUMP, COLIN FROM ACCOUNTS, LAST KING OF THE CROSS, THOU SHALT NOT STEAL, THE LOST FLOWERS OF ALICE HART, LAST DAYS OF THE SPACE AGE, THE TWELVE, PIECES OF HER, HOME & AWAY. Training: LONDON STUDIO CENTRE, IDC, INTIMACY ON SET Awards: Helpmann Award for Best Female Actor in a Musical (2005).
Krystelle Quartermain
Ensemble Theatre: KILLING KATIE: CONFESSIONS OF A BOOKCLUB (Stage Management Secondment). Australian Theatre for Young People: THE DEB. Belvoir Street Theatre: WELL-BEHAVED WOMEN. Force Majeure: GURR ERA OP. Great Big Events: SCHOOL OF ROCK: THE ARENA MUSICAL. Hayes Theatre: TELL ME ON A SUNDAY. Neglected Musicals: IF/THEN, THEY’RE PLAYING OUR SONG; PROMISES, PROMISES; THE APPLE TREE. Randwick City Council: COOGEE CHRISTMAS CAROLS. Sydney Festival 2025: SIEGFRIED & ROY: THE UNAUTHORISED OPERA. Sydney Opera House: JAMES GALEA’S BEST TRICK EVER. Sydney Theatre Company: STRANGE CASE OF DR JEKYLL AND MR HYDE; THE GOAT OR, WHO IS SYLVIA? Training: National Institute of Dramatic Art, Bachelor of Fine Arts Technical Theatre and Stage Management 2021.
Lara Kyriazis
Ensemble Theatre: MCGUFFIN PARK, THE MEMORY OF WATER. Hayes Theatre Company: THE PIGEONS (With The Other Theatre). National Institute of Dramatic Art: 21 CHUMP STREET, EPHEMERA, MUSICAL THEATRE AND STAGE AND SCREEN SHOWCASE, TECHNICAL ARTISRTY SHOWCASE. Triple J: UNEARTHED PROJECT (with DICE). Frensham School: ME AND MY GIRL, FIDDLER ON THE ROOF, GREASE, CLUE, THE BFG. Training: Diploma of Live Production and Technical Services at National Institute of Dramatic Art.
Lily Mateljan
Costume Designer/Supervisor: Ensemble Theatre: COLDER THAN HERE, THE QUEEN’S NANNY. Belvoir Street Theatre: PROPOISE POOL 25A SEASON. Hayes Theatre Co: PIRATES OF PENZANCE, LITTLE WOMEN. Kings Cross Theatre on Broadway (KXT): RHOMBIOD, GRAIN IN THE BLOOD, THE PIGEONS. Costume Supervisor: Australian Brandenburg Orchestra: INFERNO. Pinchgut Opera: DIDO AND AENEAS. National Institute of Dramatic Arts Production Seasons: A VERY EXPENSIVE POISON (Paid Professional), ALL THAT GLITTERS IS NOT MOULD, FALSETTOS, BETH. Head of Wardrobe: Victorian Opera: IL TABARRO. Films: APPLETON LADIES POTATO RACE, FIVE BLIND DATES. TV: HOUSE OF GODS, THE TWELVE (Season 1), HARDBALL (Season 2), THE OTHER GUY (Season 2). Training: National Institute of Dramatic Art, (BFA Costume) ENMORE DESIGN CENTRE. Awards: Nominated Best Costume Design for RHOMBOID at Sydney Broadway Awards 2023.
DIRECTOR'S NOTE
Tennessee Williams is a towering figure in the landscape of twentieth century theatre. His work continues to be performed constantly – a standard in the season of theatre companies the world over; as well as studied and adapted. In fact, he looms so large as a literary stalwart, that it is easy to forget how groundbreaking he was, both professionally and personally.
With THE GLASS MENAGERIE, his most autobiographical work and the play that launched his career, Williams wanted to break with the prosaic realism that he felt had dominated the American Theatre and explore a style of ‘plastic theatre’ which utilised symbolism through elements beyond dialogue, such as lighting, music, projection and stylised movement. In THE GLASS MENAGERIE he flirts with the expressionism that had captivated European theatre but ultimately creates something altogether more lyrical.
It is the beauty and sensuality of Williams’ poetry that we have embraced in this production of the play – delighting in the Russian doll structure of a playwright creating a narrator who both guides us through the play and features as a character in it – Tom, a version of the young Tennessee Williams himself. This young Tom, caged and repressed, rattles the bars of his prison created by the times he lives in, the monotony of poverty and the crushing weight of responsibility for his mother Amanda and his sister Laura.
In this séance with the ghosts of his past, Williams gives us four of modern theatre’s most iconic characters, dancing together in a drama of intense beauty and melancholy but with moments of humour and love that are by turns as heady as jonquils and as delicate as a glass unicorn.
The original music composed for this production by Maria Alfonsine and Damian de Boos Smith, is played on organ, cello and cristal baschet – a contemporary instrument which is made of glass.
Liesel Badorrek
Production Photos
Photography by Prudence Upton
REHEARSAL PHOTOS
Photography by Prudence Upton
WATCH THE TRAILER
SPECIAL PERFORMANCES
Audio Described
- Thu 10 April 11am
- Sat 12 April 3pm
Q&A Sessions
- Fri 4 April 7.30pm
- Tue 8 April 11am
Free Teen Night
- Wed 23 April 7.30pm
EDUCATION RESOURCE PACK
Bringing a group of students to THE GLASS MENAGERIE? Are you looking for extra resources to bolster your visit? Download our THE GLASS MENAGERIE Education Resource Pack.
The pack has been especially designed to support secondary teachers and students in the classroom either before or after visiting the theatre. The resource pack includes:
- Play synopsis
- Tennessee Williams Short Biography
- Character Descriptions
- Links to relevant Drama and English curriculum
- Full list of cast and creatives involved in the production
- Interviews with cast members, the director and other creatives
- Ideas for activities which can be used in either English or Drama classes